Amy Martin to Show in Three December Christmas Art Shows in the PNW

This is a busy time of year for everyone. We’re getting out the ceramic lighted Christmas tree, planning to build a “tiny House” gingerbread house on wheels; discovering that none of last year’s Christmas lights work; and going to ramp up to go live tree shopping––this is always an argument. Last year, we ended the controversy by using the Christmas tree we hadn’t gotten around to planting from the year before. After a heated day of searching for an appropriate new tree and finding none, we simply came home and dragged the potted (now really too tall) tree in off the deck and decorated it another year. It finally got planted this past summer. Now with no old tree to fall back on, this year is sure to be a tumultuous tree selection trip. The only saving grace is that we remedy tree trauma with our favorite Indian food where we eat silently and begrudge whoever won the tree choice. Things can only go up.

This year I’m putting together a few collections of my winter paintings for a showing at the Lux in La Conner Dec 6-8; Sunnyshore Studio’s Christmas in Miniature Show on Camano island, December 7th and 14th; and another soon to be announced showing at a Stanwood Gallery.

Lift Line, Acrylic on Canvas

Lift Line, Acrylic on Canvas

Camano Studio Tour 2019, Mother's Day Weekend

Did you know the Camano Studio Tour is two weekends every year? Mother’s day weekend is behind us, but we still have what’s referred to as Encore Weekend which is May 18-19 (Sat-Sun) 10-5 both days to come see and purchase great art from a diverse selection of artists on Camano Island and in Stanwood. With more than 40 artists and 30+ studios and galleries to visit, it’s a great way to spend the day. I’m studio #29 located at 1244 Juniper Beach Rd, Camano Island, WA. I’m on the north end of the island just after you cross over the land bridge. Come see me this weekend. I have more than 40 original paintings available and many cards, prints, and stickers for purchase as well. Go to camanostudiotour.com for more information.

#camanostudiotour

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Painting in Public

In the last few months I’ve been fortunate to have an offer to paint on occasion in Jed Dorsey’s Gallery and Studio space at Camano Commons on Camano Island. Not only is painting in public a wonderful way to meet new people, new clients, and to showcase my art, it’s also a great way to see my work and my process through other people’s eyes. I get to hear people’s stories and see what makes them connect to art. While I’ve always thought of myself as someone who enjoys mostly solitude, what I’ve discovered about myself is that I really like being in public and painting in public. It changes the process. It enhances the rewards of making art because it’s seen and discovered while it’s being made. So often someone asks why so many layers? Or wonders at what made me choose a certain image to focus on? Answering these questions makes me explore the why’s too. I’ve been away visiting friends, but I’m looking forward to some more days in the studio.

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Just Finished, "The Cow Jumped Over the Moon"

This morning, just finished "The Cow Jumped Over the Moon," inspired by Montana landscapes and National Geographic lava flows, my love of all things mummified, and an affinity for the celestial, this painting depicts a post apocalyptic world in which the spirits of childhood return to lead us to salvation.  

The Cow Jumped Over the Moon

The Cow Jumped Over the Moon

I was featured in the Camano Art Association Newsletter, September 2016

As a new member to the Camano Art Association and a new member to the CAA Studio Tour, I was featured in September of 2016 in the CAA Newletter. At that time I was busy working on pieces for the upcoming Studio Tour Mother's Day Weekend and the weekend after. I'm #27 on the tour. Tour map to be posted when available.

See the Article below. Full link with photos here: http://conta.cc/2dr50IW

In a quiet town in the snow belt, a bit south of Lake Erie in Pennsylvania, I grew up playing baseball, building forts in the woods, playing Atari, and riding my bike to the community pool.  When I was fourteen, I bought a Terry Gambit road bike and spent the summer riding miles into the countryside where I hid my bike between corn rows and hiked through fields with a back pack filled with paints and an easel. I spent my days painting landscapes, then strapped the wet oil painting to my backpack to ride home for dinner.  I read Dear Theo that summer, the letters of Vincent Van Gogh to his brother; the descriptions of his paintings filled most every page and influenced my vision of the natural world and the ways I painted it. I began to focus on using color to depict how I felt about the world around me rather than just what I saw.

My love of reading, writing, and painting has always been fused.   I graduated from Edinboro University of Pennsylvania with a BA in Creative Writing and a minor in Painting in 1995.   My oil painting are of the natural world and are often created plein air as they were when I was younger.  I most enjoy taking old canvases of my “failed” paintings and painting over them while leaving pieces of the original work in view.  A lake might become a cup of tea resting on a picnic blanket, a red clay desert floor flipped might become a new sky. 

After college, I worked as a house painter for Ehler’s Construction in Eugene, OR, putting my skills with paint and brush to work to pay the rent after moving cross country.  I worked alongside and learned painting techniques from their head painter who was also an accomplished artist painter.  I found a housemate from an ad in the Eugene library who just so happened by chance to be a student painter at the University and we covered our living room in brown butcher paper to protect the carpet and spent our evenings easel-to-easel painting together. We have been lifelong friends made through art.

 I also worked as a cook in Montana, Utah, and in remote sport-fishing camps in Alaska to experience new adventures to write about and to find new landscapes.  It was in Alaska, flying low in bush planes over iridescent landscapes that I often sketched out the world for later paintings. I kept copious journals filled with writings and sketches of fish and water.  It was also there that I gained an affinity for flying.  I obtained a scholarship from Women in Aviation and Cessna and earned my Private Pilot Fixed Wing Rating in 2000.  At the time, I was paying the bills by performing Anti-Piracy Work for Microsoft and decided I was tired of a desk job.  After being accepted into the Army Warrant Officer Flight Program in 2002, I became a UH-60 Blackhawk Helicopter Pilot.  I flew air assault and V.I.P. missions in South Korea and served as a Medevac pilot in Fairbanks, AK where we also supported emergency agencies flying missions to so save civilians. I gained an Asian influence in my art, living in Korea for two years and often painted both the Seoul city scape as well as their patchwork farm fields.  In Alaska, I loved to fly low and gaze at the vibrant mixture of colors of the world and never grew tired of the tangled rivers that unfolded below me. 

My partner Steve, who was a fellow pilot in Korea, and I had our rambunctious daughter Margo while I served out my last year stationed at Ft. Lewis in WA.  Margo and I are now painting comrades and often work alongside one another.  When my Army commitment was complete, I took employment with Boeing in a project management role on the Tanker program and later, the 777X.  We currently live on Juniper Beach high bank and are finishing up an exhaustive hands-on five year full-gutting renovation of our home which is flanked by ever-changing tidelands and nesting Eagles.  I’m leaving Boeing in June of 2016 with plans to attend Graduate school to earn an MFA in Creative Writing and to devote my fulltime employment efforts to my writing and painting.  My experiences flying and living and working outdoors in the natural world have been great influences in my both my writing and painting.  I seek to bring those perspectives to my art.